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Editor’s Note
Brent Strang and Colleen Montgomery
Foreword: What a Scene Can Do
Elena del Río
Alice in the Cities: The Uses of Disorientation
Brenda Austin-Smith
Snuff Boxing:
Revisiting the Snuff Coda
Alexandra Heller-Nicholas
That 70s Sequence:
Remembering the Bad Old Days in Summer of Sam
R. Colin Tait
Television, Live Transmission:
Control and the Televised Performance Scene
Brian Fauteux
The Spies Who Came in from the Cold:
Framing Alfred Hitchcock’s Torn Curtain
Murray Pomerance
In the Bathhouse: Collective Violence and Eastern Promises
Jessica Hughes
That There Corpse Is Startin’ to Turn!
Three Burials and the Post-Mortem Western
Brent Strang
Hitch-cockeyed: Ocular Dys/function in Alfred Hitchcock’s Rear Window
Larrie Dudenhoeffer
Gaze, Suture, Interface: The Suicide Scene in Michael Haneke’s Caché
Seung-hoon Jeong
[…] their introduction to that issue (which can be viewed here), editors Colleen Montgomery and Brent Strang write the following: “A scene sets up a world, a […]